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(idm) thanks for the history,moth!

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1997-07-03 12:55Peter Becker (idm) thanks for the history,moth!
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1997-07-03 12:55Peter Beckerin re: definition of breakbeats, though *all* definitions in recent postings are *certainl
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Peter Becker
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Thu, 3 Jul 1997 07:55:12 -0500
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(idm) thanks for the history,moth!
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in re: definition of breakbeats, though *all* definitions in recent postings are *certainly* in proper and correct placement, thanks to moth! for a bit of a history lesson. "breakbeat" as a term is generic, like making a "xerox" or using a "bandaid" or in proper djing history: "cutting" to the "break" take 2 copies of any LPs with *any* breaks, rythmic generally, (but I've also heard some djs cutting 2 copies of melody breaks or vocal shout breaks, particularly in house djing) and you are playing with break (beat)s thank you, moth! Favorite unused breaks anyone? , spotters? I've got a dandy unused break from a very uncool, very common, very unhip LP
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Date: Wed, 2 Jul 1997 14:05:06 -0600 (MDT) From: moth <Burcham@Colorado.EDU> Subject: RE: (idm) Assorted Comments and Questions or, "Originating from the Bronx in the early 70's, DJ's would extend a record by mixing 2 copies of the same track, specifically at the point of a drumbreak. The record would be repeatedly cross-cut, thus extending and repeating the mix. The net result would be a live remix of the track featuring an elongated percussive 'break', created specifically to make the assembled dancers go Crazy !" (from www.breaks.com) bpm0@interport.net Peter Becker, Promotions: Retail, DJ Pool Asphodel Records, NYC PO Box 51, Chelsea Station, NY NY 10113 Phone # (212) 965-0265 FAX # (212) 965-0959 http://www.asphodel.com